Skip to content

Posts tagged ‘Morning Pages’

Morning pages and writing for the long haul

I’ve been talking about morning pages on Twitter all month, and some days it makes for long threads. Yesterday’s was particularly long, and I know today will be long as well, so I’m parking the content here instead. On Twitter, I’ve talked about “how” we might do morning pages as well as “why”; I’ve offered lots of ways in to the practice and given prompts for how to use them more creatively, to generate and develop new ideas. Morning pages are a big part of my writing life, particularly when I’m working on long-form projects – work you have to try to sustain over months. And sometimes it can be hard to keep a piece of writing going, particularly when your life and your head are very busy. So I’m particularly invested in this process of using morning pages to break long-form writing down into morning-sized chunks, because it’s how I’m going to have to work for a little while. Maybe it’s how you’ll have to work too, once we turn the page into September and new sets of priorities and challenges beckon.

Here’s what I do. As I start a project – or another draft – I use one set of morning pages to tell myself the story. I just type out what happens, however much or little I know at the time. In a first draft, I might just be telling myself what the big story is – who my characters are and what they want and what happens to them to make them respond – to change. (I try to remember to focus on how the story develops “because” something happened, rather than just “and then this happens. Once I’ve written that very rough version of what I think the story is, I cut and paste it into a new document. I use Scrivener, but you might use anything else you prefer.

Whenever I have the headspace, I start to break that story down into smaller chunks – scenes, if you will. This is easy to navigate in Scrivener, as you can have as many documents in a folder as you like – and it’s an easy place to cut and paste into – but Word will work as well. From that scrappy document, I use morning pages to approach each chunk, each scene, one morning (or whenever I can manage it) at a time. In 750 words I can flesh each scene or each idea out, cut and paste it into its own new document, and get on with my to-do list and whatever the day requires. Later – or when I have headspace – I open the scene and find what feels like a very rough draft or a treatment of a scene, but it’s enough to get me writing – to flesh it out, to finish it off. Those first 750 words might be scene setting, using sensory details that I think are there but also ones that affect me as I’m writing, but there’s usually emotional temperature there as well. I’m usually writing with a sense of where characters have been and where they need to get to. This also means that, in a first draft anyway, I don’t have to work logically or in a linear fashion. I can jump around. And sometimes that jumping imposes itself on the structure of the story I’ll tell – in a good way – as I’m following the heat.

To the right is a screenshot of how my scenes look in their binder in the first draft. Right now, I’m rewriting a rough first draft banged out during lockdown. I am looking at the structure and order of what I wrote and jettisoning a lot that I don’t like. That’s OK. I’m approaching the rewrite in morning pages, telling myself the story again, as it has evolved, and then I start the process again in Scrivener, breaking the story into bite-sized scene-chunks, using a print out from my rough first draft as a guide for setting, time, emotional temperature etc., but writing with a clearer sense of what’s going on and what’s at stake. Building on these little steps of words means I rarely face a blank page and it reassures me that I am making progress, even when it feels slow. It will organise my thoughts and what I have to accomplish, with a goal to finish the rewrite by the end of half-term. Can I do it? Watch this space, as they say.

If you struggle to stay on top of longer projects, why not change your tools? Using software, time, planning and morning pages might just make a difference. Whatever keeps you writing – write on.

Morning Pages

Over on Twitter, I’ve been inviting people to experiment with morning pages and to consider how they might work for them. There are daily prompts looking at “how” to do morning pages – when and where, how often and how long. (Hint: there are no rules except for maybe this one from Natalie Goldberg. Keep your hand moving.) Dorothea Brande did her pages on the typewriter, Julia Cameron does hers longhand, and I rattle them out online at 750words.com – there are no rules.

Screenshots from Twitter

This week, we’ve been talking about “why” we do morning pages, how they work to make a bit of room in a busy head. Because it is hot – so hot – many of us aren’t sleeping, and sometimes dark unsleeps become opportunities for self-torment, for me. On waking, I feel brittle. All resilience is gone. And on these days, I need morning pages all the more to talk myself around.

Next week, I’ll be moving on to creative applications for morning pages. If you’re particularly worried about morning pages being nothing more than naval-gazing, this week might be for you. (But I say, what’s wrong with naval-gazing? Who else is going to look at it with such curiosity and compassion?)

Do you do morning pages? What works for you – and what doesn’t? And if you haven’t tried them, what would help you to start?

Time for morning pages!

becoming_a_writer.jpg
61L211Lg2+L
51l-MrtyHNL._SX390_BO1,204,203,200_

Last week, I had the opportunity to run a series of morning writing workshops for Whitstable Wellness Week. In these workshops, we wrote, we talked about writing, and we looked at all the ways that morning pages can work for writers. I think a lot about writing and morning pages. In fact, I’m thinking about morning pages this morning, while I write my own morning pages, writing my way into the day.
What are morning pages? They’re an idea introduced by Dorothea Brande in Becoming a Writer in 1934 and re-introduced by Julia Cameron in her transformative The Artist’s Way. But the form might be ancient, of course – any time a writer sits down to write with intent in the morning can be considered some kind of morning pages. Brande asks that we wake through the writing, that we reach for pen and paper (or in her case, typewriter) as early as possible, so that we can begin writing before we are fully awake and before the editor in our heads can wake up and tell us the writing’s no good.  Aim for 3 pages in a notebook – or 750 words.  What words?  Brande suggests it doesn’t matter:  you are aiming for “quantity, not quality”.  You are simply filling the pages to train your mind and hand that you are in control of when writing happens – no muse awaits you, no editor can stop you.
In this rapid writing, we are able to come to terms with what we think, as we have written it, and how we feel, as we might not yet have been able to express. New thoughts and feelings, memories and impressions bubble up to the surface, summoned. Somehow between the lists of worries and plans and concerns and intentions, there is always something that seems to come of its own accord, a glimmer of something that hints at something new – a new way forward, a fresh approach, an unexpected connection. We write to fill the pages, to train the mind and fingers for the stamina and discipline that writing demands, but we also create the clean white page and the moment in time that allows for breakthroughs, for the work that is in our heads already to come out and show itself. Done regularly, this action becomes a ritual – and then it becomes a routine. It becomes a normal impulse, allowing a writer to set the day up through her words.  (What if you’re not a morning writer?  Even the idea of “morning” is elastic:  morning pages can begin your “writing day”, whenever that time comes.  If you’re a night writer, morning pages can draw a line under the day that has happened and create the sense of morning, as you settle in.)
I saw all kinds of breakthroughs throughout the week as writers opened their notebooks or laptops and returned to the page. In the beginning, I offered only gentle prompts to get them started – and these prompts could be returned to while writing, in case of feeling stuck or unable to write anything else. If you come back to the prompt and write it, you are always writing. And if there is any kind of “rule” about morning pages, it is that you should keep your hands moving and fill the page before you stop to think about all the reasons you might stop. We used such simple prompts as: I want/I don’t want; I think/I don’t think; I remember/I don’t remember; or Today I/yesterday I, Tomorrow I… Sometimes we wrote ourselves into the room, using all five senses to root us into time and space: what do we see; what do we hear; what do we smell; what do we taste; what can we touch/what touches us. We wrote our way through light and pressure, temperature and proximity, where we were in our bodies, in the room, the building, the town, the world. And from there, there are always new directions, tentacling out from every sense. Sometimes, writers had a story in their heads as they arrived, and they were able to write their way into their own characters, using these five senses, to root them into story-time and story-place: this can be a powerful way for a writer to slip under the skin of a character, to see the world through her eyes and to capture what she notices. And from those sensory details can come whole backstories, memories, connections and objectives. The senses point at a person who whole and formed, capable of her own thoughts and feelings – we only have to follow them and her, into a scene.
Sometimes I offered first lines, “firestarters” as writer/poet/psychogeographer Sonia Overall calls them in her workshops: some lines I pinched from her. “That was when it happened”, and “I could see the fire from there”, and “I can still see it” are the ones I like to use. Sometimes I kept throwing words out – simple nouns for writers to catch and stitch into their writing: this idea of “word cricket” was introduced by write Vanessa Gebbie in a flash fiction workshop. We also talked about how these batches of 750 words could themselves be made of dribbles and drabbles and pieces of flash fiction that might stitch into something larger, such as Sophie van Llewyn’s novella-in-flash Bottled Goods, or simply hint at new ideas that will lead to new projects. Really, the possibilities are limitless. The form of morning pages are elastic enough to contain any thought, idea or feeling: that is what they are, after all – a container. Morning pages contain – and guard – and hold our writing, our sense of selves as writers, and our desire to engage with the words.
There are morning pages workbooks and journals.  There is an online site for morning pages – which I use, 750words.com.  But really, all you need is something to write on and with, along with the determination and will to write.  If we write, we are writers.  When we tell ourselves that this time and this writing matters, that we reach for our writing at the start of the day, we reinforce the idea that our life must align itself around this desire – this urge – to write.  And maybe the universe will follow.
Whether you’re down or up, rushed or calm, so busy you can hardly see – morning pages are a fresh start – every day.  A new beginning, waiting for you.  I believe in their subtle power and have, through almost ten years of writing them, watched them enter and transform my writing life.  It was a genuine pleasure to see the idea take hold in this small, evolving group in Whitstable, and if the group is able to carry on, it will be my genuine pleasure to sit among them, reaching for words.
My next outing on the morning pages train will be at Kent Festival of Writing.  If you’re coming – see you there!

Morning Pages in Whitstable

WWW_FBBanner1.jpg

There’s a new festival in town:  Whitstable Wellness Week runs 23 – 29 March 2019.  Whitstable Wellness Week offers creative workshops from art to dance, writing to cooking – free.  Organised by Escape to Create’s Catriona Campbell and Red Zebra, which provides social prescribing in East Kent, Whitstable Wellness Week seeks to encourage people living with physical or mental health conditions, and those who are lonely or feeling low, to try one or more creative activity during the week to see if it helps them feel better.

Every morning throughout the festival, I’ll be running a morning pages workshop at the Horsebridge, with tips and prompts to get people writing – and keep them going.  I know morning pages can help anyone to feel better!  For more information, visit Whitstable Wellness Week.  See you at the morning pages!

A new you?

IMG_3020

These are the doldrums between Christmas and New Year, flat land that stretches between the poles that define many of our calendars.  5 days of “Chrimbo Limbo” that span the time between the frenzied, all-consuming build up to a day of food – or faith – and the tail end of the year, one which many will be happy to leave.  From our cars or sofas, from muddy woods or frozen beaches, we can feel the world turning.  Time, flying.  This is a hinge, a pause before the first new day of a new year, filled with possibility.
How can we hang onto this sense of time?  How can we use it to prepare for a new year or a fresh start without creating the feeling that we should “do more” or “be more” or “be new” somehow, which is its own kind of all-consuming frenzy?
I return to the page and the old ritual of morning pages.
I have written about morning pages before, and how to get started on them; it is a practice that continues to sustain me.  It has become a natural – and necessary – start to my day.  A space and time to shape and sharpen my thoughts before the day begins and time sweeps me away in the wake of what it wants.
Morning pages are 3 sheets of A4 (or my preferred online method at 750words.com) written without planning, editing, or censorship.  These are raw words, written faster than we can think, as we come to wakefulness.  That is their power.  It is us, when no one’s looking in a clean space that we define and refine, daily.
It is a place to flex and stretch, mentally and emotionally.  An iron for the mind,  smoothing away the wrinkles.  A meditation made with moving fingers.
These last few months of 2017, I felt too busy to think.  My mind was always scratching away in every direction, trying to make sense of tensions and disappointments, moods and missteps, conflicting bits of information and inspirations.  When I felt there was no time for morning pages, I knew that they were more essential than ever.  How else to keep some control over my own day, other than to take my first 12 minutes or so and write down how I felt, what I wanted, where I wanted to go?  Morning pages became a place to capture 750 words of my work-in-progress, before I had to turn to other projects; somedays, it was the only work I was able to do that day for myself.  Through a very season, and university term, I kept writing morning pages and using them as starting places for scenes and chapters.  Now, at this pause before a new year, I find the WIP is nearing 30K.  It will certainly be over that mark, when we toast a brand new year.
Consciously and unconsciously, 750 words sets me up for writing, however busy the day, because I have focused myself on it.  I have stated my intent.  I have set my brain on that work, as I boil the kettle, as I let out the dog, before the dash and rush to come.
In the new year, I will be teaching many mornings.  For those of you who know me, you know how jealously I guard mornings, when I feel I write at my best.  Though we aren’t always in control of our timetables, I aim to stay in control of my brain and my time, as best I can.  In the coming new year, with all its early starts and pressures, I will seek to continue my practice and share it with students, asking them to begin our day with morning pages.  I hope to introduce them to a practice and a ritual that will nurture their writing and their thinking, so that it might sustain them through their writing lives, as it does mine.  Looking for a new you?  Try an old practice.  Morning pages.
See you on the page.

It’s time for morning pages…

Morning!  It’s time for morning pages!

If you follow me on Twitter, you’ll already know how I start my days, clogging your timeline with #amwriting tweets and lovely cups of tea.  Every morning, it’s time for morning pages as soon as I can manage it, leaving bed for the kettle to wake myself up with words.  It is a practice, a ritual, and a habit, one I’ve done for years and years.  I flex my fingers; I empty my head.  It is the only form of meditation I actually commit to and do.  Without morning pages, I feel a bit scratchy, a bit foggy and shocked.  Like the proverbial tree falling, is it morning if I’ve not done pages?  My head isn’t so sure.

So, what are morning pages?  Do they have to happen in the morning?  How do they work and why do I, along with writers across the whole of the world, continue to do them, day after day?  Morning pages as a writing practice came into popularity with Julia Cameron’s creativity manifesto, The Artist’s Way, though the idea itself is first found in Dorothea Brande’s Becoming a Writer, published in 1934.  Here, Dorothea suggests:  “Just as soon as you can – without talking, without reading the morning’s paper, without picking up the book you laid aside the night before – begin to write.  Write anything that comes into your head:  last night’s dream; the activities of the day before; a conversation, real or imaginary; an examination of conscience.  Write any sort of early morning reverie, rapidly and uncritically.”  Simply write without direction, without hope or control of the outcome as a way to begin the day.  While Julia says the writing must be done by hand, Dorothea says, “If you can teach yourself to use the typewriter in this period, so much the better.”  Julia says to fill three blank pages, while Dorothea suggests we should write as long as we have free time, until you have “utterly written yourself out.”   So, even the gurus of morning pages can’t quite agree on how they should be done – only that they should be done – and that they should be done in the morning.

I’m all for the following of rules, but only when they suit me.  As both Julia and Dorothea agree morning pages must be done in the morning, so do I.  “End of the day pages” would be a diary or gratitude journal.  You want to write while you’re still a bit fuzzy, before the day has had a chance to get you into its rhythms, its demands.  Julia says longhand matters, because, “There is an energy to the hand that leads our thoughts to a deeper and more connected place than writing on the keys does.”  That may be true for Julia, but longhand hurts my hand and is all but unreadable, should I wish to read it.  If a typewriter is acceptable to Dorothea, I choose the laptop, whose keys are quieter and whose heft is less in the lap.  And while Julia would most certainly not approve, I do my morning pages online at the excellent (and free) site 750words.com, which sends me an email every morning, reminding me to write, just in case.  They also track your moods through looking at your keywords, if you want them to.  This is me, today, as most mornings:

Screen Shot 2015-07-13 at 11.41.21

Typing away, I’m unaware that I’m feeling anxious or that I’m concerned mostly about death.  Is it true? Does it matter?  I’m not conscious of doing or trying to do or say anything.  I’m only letting my head noodle though my fingers and following my thoughts where they go.  Sometimes, my morning pages read like to-do lists or laundry lists of concerns and worries, mistakes and hopes, plans and dreams.  Sometimes, my morning pages are filled with self-pity, so that I can rid myself of it and move on.  My morning pages can be first stabs at new thoughts – new ideas, things I’m thinking about writing – and sometimes the earliest writing of new projects happens here with morning pages that look like monologues from characters or snatches of dialogue, things I or my characters might say or think.  Sometimes, I write about what I wish I were writing about – and I find that I am writing about it, simply because my ego and my inner critic are still waiting for the tea to kick in.  Morning pages can be whiny or inspirational, they can be true or false, they can be bursts of newness or relentless churning returns to old slights and digs and memories.  In short, morning pages are a place to dump the contents of our messy heads to make some room, for whatever will come.  It is meditation in action, through fingers, and also a frame for thoughts, feelings, and imaginations.

Morning Pages certainly have their detractors, even when they begrudgingly join in, as does Oliver Burkeman in his Guardian article.  Yes, morning pages take time, though I manage my 750 words, most mornings, in 10 – 12 minutes.  Julia Cameron would say that’s too fast, but she can’t reach me from her ranch in New Mexico to where I am, laptop on my knees in bed, or sitting on the porch of the Blue House, angling my limbs toward the sun.  Sometimes I do morning pages standing up with a cup of tea at my elbow, typing away until the website tells me when I’ve hit the magic number and it’s time to stop.  The website keeps track of our days and words.  Apparently, I’ve written more than 3 novels worth of morning pages on the site already, unreadable, unusable words that will never be published and are of no value to anyone but me.  Only occasionally do I copy what I’ve written in morning pages to paste into a document, rare mornings when an insight comes into what I want or what a problematic character is really doing, and I know I’ve caught a snatch of something that I didn’t have access to, in my conscious mind, the one that’s concerned with deadlines and word counts and “is this working” and when can I have another cup of tea?  These bursts of words you didn’t intend, of thoughts and feelings you didn’t know you had, are gold.  While not the purpose of morning pages, they are a benefit, an added extra that can lead your writing – indeed, your life – in whole new directions.  And that’s all we want to do, by writing, isn’t it?  To understand ourselves and others, to see, for a few brief moments, how it is that the world works and where our place is in it, and how to word it?

Well, at least that’s what I found in morning pages this morning, thinking about why I do them.  Whether by hand or fingertip, standing or sitting, dressed or pyjama-ed, with tea or without, why don’t you give them a try, some morning and see what comes?

%d bloggers like this: